Aimei Ozaki

I can't actually believe this is a painting, like seriously, it's some sor tof airbrush boudelaire business, but the level of 'realism' is a bit flippin ridiculous.

Check out the rest of his stuff at 50 Watts

Lolipop Business Cards

These are the business card designs for the lolipop brand, I wanted to keep it colourful and fun to stand out a little and represent what the brand is about.

Nice repurposing of a tube map for the human body, by This Guy

Lolipop Posters

Some marketing posters for lolipop, I wanted to keep the style simple and minimalist, with bright colours.

Shaded Lolipop final logo

After creating my logo in illustrator, I bopped it over to photoshop and shaded it to give it a more comfortable and warm feel, I also made a quick black and white version for use on b&w letterheads and such.

Lolipop logo development

Having decided to adopt a candy-cane-esque style for my logotype I started to create the pattern rush needed for the paths so I could then trace over my chosen typeface and create a new logotype.

I also messed around with a few different colour combinations but settled on a slightly lighter pink version of the traditional candy cane format.

Si Scott is Resonating some talent

Si Scott's illustration series entitled Resonate is pretty flippin awesome, if I had some money I would buy at least three of these different prints for my wall, alas all I can do is set them as my wallpaper.

Stencil-tastic

Partly as part of my project at the moment and partly because I haven't made a stencil in ages, I used to make loads and miss it soooooo much. So I made a stencil of a lollipop, As I didn't have a printer I had to trace it off my screen from an illustrator file I made and the mount it, cut it and then take it down to my local skate park to spray up the place.

New project

Having started our new project in which I have to brand a made up company, made up by me. I have decided to start doing the branding for my a sweet shop called 'lolipop' I started about collecting various moodboard-ish images that I think should help define the visual style of my brand.

Joe Fenton can DRAW

Illustrator Joe Fenton started work on this back in 2010, needless to say it took him a while to finish it, to say it's simply amazing seems like a bit of an understatement, it measures about 8ft wide and is drawn in only graphite and talent.

Alex Varanese Future Retro vibes

Alex Varanese designed a series of posters marketing goods such as i-pods and laptops as if they were invented in the 70's, I thought this was a really fun idea and the styling and presentation of all of the posters is consistently entertaining.

Check It Out.

Final NYJC logo

These are my final pieces for the NYJC branding exercise, there are two alternate versions of the logo, this was partly because I couldn't decide which I preferred and partly because I thought they could have dual usage for certain occasions when the logo didn't need to be so big. With the poster design I was a bit hesitant about using the treble cleff as it is a bit of a cliché, but I was quite pleased with the result and I think it gets the message across of the nature of the organisation swiftly while incorporating the logo elements into it.

N.Y.J.Come on then

After managing to establish a colour pallete for I started trying to simplify my earlier shapes concept and chose four basic shapes to work with and then four corresponding colours, I also decided on a logotype I wanted to use something strong and sans-serif as I think it appeals more to younger audiences, the thickness of the type I thought also gave some more impact, but this was still only experimentation.

Jared Nickerson is one serious vector man

For quite a while now Jared Nickerson has been one of my favourite vector artists. I really like his plain simple, almost cartoony style and vectors just give such a nice look to them, he also has a great use of colour, the piece has a large amount of colours but they work somewhat harmoniously and I think this can be said about a lot of his work.

 You can see more of his work at his website JThree Concepts which is also a really well designed site.

Mo' Jazz

Here are some of the early experimentations I have been doing for the NYJC branding. I started using scatter brushes in illustrator to create this kind of fragmented effect but I found the shapes were too small and it was hard to get the right balance considering the logo would have to work on small formats as well. initially I was not pleased with many of these results so I tried some other ideas and tried to simplify the shapes.

Geometric Jazz

When we first started brainstorming ideas in groups about our NYJC branding my personal initial thoughts lead to me thinking of procedurally generated geometric patterns of some sort, these ideas of fragmented shapes forming other things appealed to me as it seemed to have a lot in common with the ideas of jazz, and we all wanted to stay away from any clichéd symbols such as saxophones.

I did some research on generative, procedural, fractal art and all that jazz (excuse the pun) and found a very interesting project called Advanced Beauty which procedurally generates geometric based art by reacting to audio stimuli, i really liked the look of the interacting shapes and also the shading of them as it is I think in some way 3d rendered gives it a nice look and is something I think I may try and imitate in my work.

David Mascha - Fauna

I find it hard to say that much about this illustration as it speaks for itself in how damn good lookin' it is. But nonetheless I love the colour use palette, almost an autumnal vibe, combined with the subtle use of textures and of course the curvature of it gives it such a natural feel. 

You can see more of his work here.

NYJC branding

Last week I was given the brief for our first project, mine is to re-brand, or rather brand the National Youth Jazz Collective, an organisation dedicated to mentoring young talented jazz musicians. They wanted an entirely new identity to give the idea of creativity, spontaneity almost an explosion of  harmonious chaos. Or at least thats what I got from it.

Particle collection from Matthias Müller on Vimeo.

This is another example of the coolness of Krakatoa particle effects at its swankiest. as I mentioned in my previous post I think the potential not only for motion graphics but the use of a single frame in printed materials is really cool.

I think I need to get better with 3DsMax.

Realflow and Krakatoa

This is a video of a one million particle water simulation render done using realflow and karakatoa, obviously I didn't do this partly because it would probably take a year for me to render, but I just think the potential for use even utilising single frames in 2d print work could look quite spectacular.

Realflow is used for a lot of big budget movies, it utilises something called the hybrido water simulation system which means it is good for rendering vast quantities of water particle simulations which can then be transferred into an application such as 3DsMax and rendered in that using krakatoa which is a particle effects plugin.

Vicente García Morillo...Is the bomb.

Vicente Garcia Morillo is an illustrator and graphic artist from Madrid and I seriously dig his style, his superb use of the gradient mesh tools and pattern brushes and what not as well as a cheeky bit of added noise gives such a great texture to his images, while they yet still retain an electronic, or not real factor that provides a nice  contrast.

Be Ready flyer design, May Contain Nuts

This flyer is for Be Ready Records' New Year's Eve night, originaly they wanted printed flyers but due to a lack of time they just had a web one, it's not a great flyer by any means, it felt quite rushed, largely because it had to be. But it helped me start to get the hang of the gradient mesh tool which is fantastible.

Aurelius International Commissioned work

A few weeks ago I was commissioned to create a few web based images for Aurelius international, a secretarial and office support recruitment agency. They didn't want me to spend too much time on it and the size and resolution of the images was very strict as they were to be uploaded to a directory service for businesses. The top one is a basic business card design.

World collabs series

This piece, created by Justin Maller is the first of a series of many where artists and established designers are releasing their .PSD files for the rest of the world to see and use in order to further their own design process and create interesting collaborations, below are some reworkings of the above image by Dawid Cmok.

Via Behance

handmadefonts and their awesome typefaces

HandMadeFonts.com produce their own unique typefaces using specifically photographed and then digitally re-funked pictures to make letterforms the result is some very original type although the sets as with a lot of fonts cost a fair bit at about 250 euros for 10 typefaces.